I know, I know, I live not too far from the campus, and I've been aware of these holdings for years. But somehow I never quite got there to see them.
Then I happened to meet the past director of the collection at a party and told her about my interest. She said I should do it as soon as possible because, well, you just never know what will happen in life. So I finally got off the dime and made an appointment to see some of the collection.
Anyone can use the Kerlan's archives, but you need to make an appointment and go during business hours. You tell them in advance which boxes you want to see (selecting from this list) and a pile of large, gray, flat boxes will be waiting for you on a cart.
You have to take out one item at a time and keep them all in order. Each piece is wrapped in acid-free paper, so there's a lot of material moving around. Lots of standing over tables, too, stooping slightly, so it's a bit hard on the back.
But so worth it. Over the next week, I'll post five times with photos of what I saw, covering these topics:
- Book covers and miscellaneous art (including a series of black-and-white illustrations Raskin did for the New York Times )
- Material from her picture book Freak Show
- Artwork from The Mysterious Disappearance of Leon (I Mean Noel)
- Cover materials for The Tattooed Potato
- Artwork from Figgs & Phantoms
More to come tomorrow!
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This is the cover artwork for Moe Q. McGlutch, He Smoked Too Much, published in 1973. I had never seen this book before my visit to the Kerlan Collection. Among all the work of Raskin's I saw in the collection, this is the book that has the most complete material. The box contained everything Raskin used to create the book and it shows her process from beginning to end. And let me tell you, it looks exhausting.
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Past posts about Ellen Raskin:
Ellen Raskin
Ellen Raskin Speaks About The Westing Game
The Westing Game in Person
Clues About Ellen Raskin in The Tattooed Potato
Ellen Raskin's Legacy at the Milwaukee Public Library
The Last of the Raskin Signatures
A Reminder of Ellen Raskin
2 comments:
I love that librarian-style generosity. No need for a “research project” to gain admittance. They love to share the treasures, or at least they often do.
I don't know where the collection is now, but for 10 years I worked in Walter Library, in which they were also located, and never visited. So glad that you did!
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